Unknown Horrors: Scary Movies You May Have Missed

I love October. Not because of the candy or costumes, but because I absolutely adore scary movies. There are a few classics I revisit every couple of years, but sometimes I’ll get lucky and find something I’ve never even heard of – or had read/heard wasn’t worth watching – that scares me silly. Because of my fondness for this time of year, I decided to compile a list of these underrated or under-seen gems so I could share them with my fellow horror fans. These are some of my favorite, lesser-known horror films that you may have missed:

Color Out of Space

Color Out of SpaceJust as it does with the land and lives of the Gardner family, the cosmic terror in Color Out of Space takes its time creeping into full view for the audience. Then, when it’s primed and ready, the movie transforms into an neon-tinted nightmare that’s backed by some of the most horrifying, haunting, tragic visuals I’ve seen in film along with a trio of strong performances from Nic Cage, Madeleine Arthur, and Elliot Knight. You see just enough to vaguely understand what’s happening to these poor people, but it’s the unknown, unanswered elements of this H.P. Lovecraft adaptation take that make it truly scary and kept it in the back of my mind for quite a while.


UnderwaterI’ll admit there’s no way I could argue against the complaint that Underwater is a rip-off of Alien, but you know what? It’s a damn good rip-off of Alien. Most of the cast is great – particularly Kristen Stewart, who’s unsurprisingly fantastic – the deep sea lab setting creates a palpable, claustrophobic feeling, and the inhuman threat features a fairly unique design that’s obscured for most of the movie, which makes it more mysterious and unsettling. Even though Underwater may wear its influences on its sleeve, it’s still an atmospheric, entertaining, and frightening film.


MamaMama is easily one of my favorite cinematic ghost stories of the past ten years. It’s incredibly frightening, has some surprisingly effective emotional beats, and the titular entity is one for the ages, along with the movie’s unforgettable finale. I feel like this never got the attention or praise it deserved (and still deserves!) but I could see that changing in the future; after all, Andy Muschietti blew pretty much every horror filmgoer away with his two-part IT adaptation, so hopefully the biggest fans of that duology will give Mama a watch after looking up the aforementioned director’s previous works.


southboundSouthbound doesn’t feature the outright scariest anthology horror segments out there, but it’s certainly one of the most unique and entertaining as a whole. It seamlessly transitions from each tale to the next, and manages to weave multiple different yarns that, while varied in style and storytelling, are all satisfactorily creepy and focus on the same themes. Southbound never holds your hand and explains exactly what’s going on either, but leaves clues throughout each segment and trusts the viewer to figure most of it out on their own.


livescreamLivescream sits in its own little sub-genre of found footage films, combining it with the often-mishandled death (video) game concept. Despite the fact that you rarely see any of the cast aside from the main character – played by Gunner Willis, who does an amazing job – Livescream still manages to deliver meaningful stakes and had my pulse racing plenty of times throughout while paying homage to a litany of spooky video games. It probably won’t do much for you if you don’t play video games or watch streamers play them, but it’s a must-see if you do.


Shutter 2This Thai horror may feature a seemingly familiar premise, but it makes enough twists and turns to keep you unsettled through most of its run. Shutter builds tremendous amounts of tension through an incredibly well-balanced mix of solid psychological horror and unusually strong – yet never cheap – jump scares. The main cast is also better than what you’d normally see in your average horror fare, which makes the film’s final act that much more impactful, disturbing, and haunting.


mimicGuillermo del Toro’s giant bug film has three of the hallmarks that his fans know and love him for: a dark, moody atmosphere, unique, creepy monsters, and actor Doug Jones portraying one of those monsters. I’ve never seen a bad GdT movie (although I think The Shape of Water is ludicrously overrated) and I find it quite strange that Mimic is rarely brought up when discussing the extremely talented director or his filmography. It’s a very good, almost great creature feature with a bizarre and memorable design for said creatures.

Perfect Blue

Perfect Blue horrorPerfect Blue follows ex J-pop star Mima Kirigoe as she begins a new career as an actress, and as she endures a whole bunch of intense psychological terror. The demands of her grittier, dramatic TV role, an unnerving fansite, and more starts to affect Mima, causing her to go through one Hell of an identity crisis. Mima’s breakdown is expertly presented through studio Madhouse’s animation, and the soundtrack enhances the sense of disorientation and discomfort even more. It should hit all the right notes for anyone who enjoys the likes of Black Swan, and even though Darren Aronofsky has said that Perfect Blue didn’t inspire his 2010 critical darling, I believe the similarities that they share are far too numerous to be ignored.


splinterSplinter manages to overcome its small budget with sheer creativity and a solid group of acting talent lead by Shea Whigham. The movie follows two couples, one pair holding the other hostage, as they struggle to survive and escape a fast-acting parasite that infects and controls the corpses of its victims in spectacularly gruesome fashion. The visual effects – a lot of which are practical – are frightening, grotesque, and the original “creature” design, along with the ingenuity of the survivors, ensures that Splinter is an entertaining flick even after multiple re-watches.  


WerI haven’t seen many great werewolf movies aside from the 1981 classic An American Werewolf in London and 2013’s Wer, and in my opinion, the latter is almost as good as the former. Wer might not have as memorable a transformation sequence, but it’s still an intriguing and well-crafted reimagining of the iconic werewolf mythos. It also manages to throw in a criminal conspiracy and a bit of a love story too, all the while dealing out a respectable amount of scares and beastly carnage. Also, Wer has one of my favorite horror movie endings in the past ten years.


Unfriended is presented almost entirely through the screen of a single computer, which allows it to capture the same uneasiness as found footage horror flicks without feeling stale. As the number of people chatting and breathing starts to dwindle, the distrust and animosity between the remaining characters – and the audience’s anxiety – rises equally. It’s not perfect, but Unfriended is unique and terrifying enough to make me wonder why it didn’t spawn a slew of sequels like Paranormal Activity did.

Update: Unfriended has received a sequel since I posted this writeup, so I guess it wasn’t quite as unpopular as I had thought.


CubeCube walked so Saw could run, although I wouldn’t say they’re too far from each other quality-wise. The 1997 feature follows a group of strangers who wake up in a deadly maze made up of cube-shaped rooms and try to find the exit before all succumbing to the labyrinth’s diabolical traps. It’s simple, bloody, scary, has equally creative and outlandish death sequences, and some bonkers twists and turns too. There are two sequels as well, but the one that I’ve seen, Cube Zero, is… Not great.

Van Helsing

Van HelsingThere are few action horror movies (or movies in general) that I have enjoyed (or rewatched) as much as Van Helsing. This iteration of the legendary vampire hunter – played by Hugh Jackman, who fully leans into the role – feels like a blend of Indiana Jones, old-school James Bond, and the movie pits him against multiple classic monsters in a wide range of environments and setpieces that are all kinds of schlocky fun. It’s an awesome action adventure that’s full of big thrills, slight chills, and should be seen by all fans of action horror or Hugh Jackman.



I find spiders to be one of the scariest things on the planet, and Arachnophobia taps into its namesake more than any other film I’ve seen the eight-limbed creepy crawlers in. The movie pits Jeff Daniels’ Dr. Jennings against a foreign, super deadly species of spider – which is basically my worst nightmare – and features some horrifying imagery and setpieces that I will never, ever forget. Oh, and it has John Goodman in a supporting role as an exterminator, which is one of his most bizarre performances to date.

Eight Legged Freaks

eight legged freaks

This is another undervalued gem that puts nature’s most horrifying critters front and center, but also throws some humor into the mix as well. Eight Legged Freaks skitters far more into horror-comedy territory than Arachnophobia, delivering a wealth of genuinely fun, B-movie silliness. David Arquette is as charming as ever and often wonderfully over the top while playing a man desperate to save his friends from a swarm of giant arachnids, and the rest of the cast (which includes future Avenger Scarlett Johansson) leans into the absurdity of the premise just the right amount too.


Pumpkinhead.jpgThe directorial debut of special effects artist Stan Winston has gained a significant cult following since its wide release in 1989, but never earned itself a spot among the wider horror circles that I think it should have. Most of the cast is passable-yet-forgettable, but iconic horror actor Lance Henriksen does enough heavy lifting to keep almost every scene he’s in either entertaining or intense. And just in case Henriksen doesn’t entice you, the creature design, costume, and effects that bring the eponymous demon of vengeance to life are fantastic (for an 80’s flick) making the movie worthwhile all on their own. 

Anaconda, Lake Placid, & Deep Blue Sea

Guilty Pleasure Holy Trinity.jpgI grouped these three animal attack flicks together because they were early staples of my love for the horror genre, and all for the same reasons. The entries in what I call “the holy trinity of guilty pleasure creature features” have big-name actors (Jennifer Lopez, Ice Cube, and John Voight in Anaconda, Bill Pullman, Brendan Gleeson, and Betty White in Lake Placid, and Samuel L. Jackson, LL Cool J, and Stellan Skarsgård in Deep Blue Sea) hamming it up in dumb-fun schlockbusters about big-ass predators chomping their way through everything in their paths. They certainly aren’t masterpieces, but are extremely entertaining every step of the way.

Jeepers Creepers

Jeepers Creepers

This 2001 horror flick isn’t spectacular through and through, but I find myself rewatching it every couple of years and still enjoying it. Justin Long and Gina Philips are great as the film’s leads, a pair of siblings who find themselves being stalked by the Creeper, an entity that I’d say is one of the most inventive, memorable movie monsters of the 21st century. Jeepers Creepers’ minor flaws are easily forgotten whenever the Creeper is on-screen. He’s fast, gleefully menacing, seemingly unkillable, and his “house” is grotesque enough to impress even Leatherface.

PG: Psycho Goreman

psycho goremanWhat do you get when you have an homage to 80’s horror and the likes of E.T., then give it super sentai (think Power Rangers) levels of camp in addition to a heaping helping of otherworldly monsters? Apparently, one of 2021’s most overlooked films. There are few full-length features as gleefully, shamelessly bonkers, fun, and original as Psycho Goreman, which sees a young girl take control of the universe’s most dangerous and savage being. The mish-mash of genres and tones make PG an experience like really is like no other, and one that flew under way too many radars.

Tigers Are Not Afraid

TigersTigers Are Not Afraid combines dark fantasy with some of the most tragic horrors found in reality, and feels like a combination of Pan’s Labyrinth and Sicario. It’s a bleak fairytale that follows a group of children struggling to survive in a crumbling city that’s caught in the middle of the Mexican Drug War, and also given rise to some supernatural happenings. The child actors are stellar, and the writing makes them instantly likable, which gives every fleeting moment of happiness that much more meaning, their losses more heartache, and their terror more resonance. There’s an undercurrent of hope in Tigers Are Not Afraid as well, and although it can be easy to miss at times due to the overwhelming bleakness that’s seen the film’s world-building, it’s just enough to keep you thinking that maybe, just maybe, some of these kids will eventually find peace.

The Head Hunter

MV5BNzE4MjkyMjUtYWNjMy00YjgxLWI3MWMtYWRjMzA0MTRlZTI3XkEyXkFqcGdeQXVyMzY0MTE3NzU@._V1_SX1777_CR0,0,1777,994_AL_The Head Hunter is a slow-burn fantasy horror that uses the less-is-more approach with its creatures, and builds a twisted, macabre world, one similar to medieval-set video games with dark mythology behind them like the Soulsborne and God of War series. It’s a messed up place, but one that I’d certainly love to see more of in a sequel or spin-off. And considering that this film was made with a budget of just $30,000 – which admittedly shows at times – The Head Hunter is unquestionably a triumph for director Jordan Downey. I can’t wait to see what he’ll do when/if he’s given a bigger budget for his next feature.


host-1Host is basically Unfriended 2.0. The entire movie was shot in just a few weeks, through Zoom from inside the cast member’s homes during the 2020 Covid quarantine, and despite its incredibly short runtime, it’s easily one of the scariest films on this list. Watching Host evoked the same kind of fear from me that I felt when watching the original Paranormal Activity for the first time; that kind that makes your heart beat out of your chest every time there’s a noise, and makes you so uncomfortable that you’re watching everything through your fingers, quietly freaking out in anticipation of  whatever is going to happen next.

And it’s even scarier if you watch it on your laptop with headphones.

Hell House LLC

hell house llcAs far as found footage stories go, Hell House LLC’s is one of the most generic that you can find. The entire story is just a documentary about a tragedy that occured in a hotel with an already dark history, and it puts practically zero effort in to hide its unoriginality… But man, it still scared the bejeezus out of me. The tension, set design, background scares, and cinematography of Hell House LLC are among the best I’ve seen in the sub-genre. This is a film that I had super low expectations for, but ended up sinking further and further into my blanket (I was cold, shut up) due to the well-crafted scares it contains. I guess if it ain’t broke…

Under the Skin

Under The Skin.jpgUnder the Skin is a visually and aurally captivating sci-fi horror with a wholly unique premise: it’s viewed from the perspective of the monster, an extraterrestrial creature played by Scarlett Johansson – who gives one Hell of an unnerving, inhuman performance – that lures its unsuspecting victims to their horrific deaths by seducing them. It might not be up everyone’s alley, but I’d certainly recommend Under the Skin to those who enjoy an art house horror every once in a while.

You can listen to Zac and I discuss Under the Skin on a bonus podcast episode (with spoilers) here.

The Faculty

the faculty.jpgThe tale of a small group of teens from different cliques banding together to stop an alien invasion of their high school probably doesn’t scream originality like it used too, but The Faculty rises above its now-cliché storytelling thanks to its willingness to have fun, get crazy, and make the most out of its effortlessly enjoyable cast. Josh Hartnett, Elijah Wood, Famke Janssen, and Robert Patrick are just a few of the familiar faces you’ll recognize, and their added charm make this Robert Rodriguez sci-fi horror one that I wholeheartedly recommend.

Blair Witch

blair-witchYes, it’s mostly a retread of the first movie, but I’d argue that Blair Witch is actually superior to the original thanks to the benefit of learning from the countless other found footage movies that were released in between them. There’s no denying that the 1999 film essentially created the subgenre, but the 2016 sequel smoothed out the rougher edges; the shaky-cam sequences are far less disorienting, the bigger cast allows for more horrified or confused reactions, and while one could complain that it shows too much, I’d (and many others) say that we don’t actually know what it shows, which allows fans to expand up the lore with new theories and ideas about what’s out there in those woods.

Summer of 84

Summer of 84.jpgSummer of 84 clearly aimed to ride the nostalgia wave that Strangers Things created a few years before it, and the film mostly succeeds while weaving a tale of paranoia and possibly making you wary of your neighbors. The plot follows a group of kids who start to suspect that their police officer neighbor may be a serial killer and try to catch him. The mind games between the killer and the kids are sufficiently creepy and intense, but it’s when Summer of 84 goes all out in a wonderfully unpredictable final act that it rises above most of the many other recent movies that try to remind you of 80’s horror classics.

In the Mouth of Madness

wI6qNY4.pngThe third entry in John Carpenter’s apocalypse trilogy is one of the best films I’ve seen that dabbles with (or dives right into) the Lovecraftian horror subgenre. The combination of reality-warping terrors crossing over into our own realm, grotesque body horror, and the slow decline of the protagonist’s sanity are often utilized in the sub-genre, and while not every filmmaker can make all that craziness work, Carpenter does it brilliantly. It’s as intriguing as it is frightening, and Sam Neil is terrific in the lead role as well.


MandyInitially an engrossing and psychedelic 80’s-inspired romance/character study, Mandy eventually takes a sharp, horrific turn into revenge-thriller territory, and it’s all bolstered by tons of genuinely unsettling imagery, an eerie, badass soundtrack, fast, brutal action, and a stellar performance from Nic Cage. Mandy is easily one of the best movies on this list, my favorite film of 2018, and is worth a watch for any horror fan looking for something unlike anything they’ve seen before.

You can listen to Zac and I discuss Mandy on a bonus podcast episode (with spoilers) here.

Behind the Mask: The Rise of Leslie Vernon

Behind the Mask. The Rise of Leslie Vernon 5a3eef9dc5f817ba96475b0182fBehind The Mask: Rise of Leslie Vernon is a mockumentary set in a world where supernatural serial killers like Freddy Krueger and Jason Voorhees are real, and keeps its tongue planted firmly in cheek throughout most of its runtime. Being viewed from the perspective of a film crew following an aspiring slasher allows for some interesting and often comical looks at classic horror tropes. Behind the Mask isn’t as revolutionary as the films it riffs on, but it’s still a great movie that’s deserves far more love than its been given so far.

Lake Mungo

Lake MungoLake Mungo is one of the most unique and unpredictable horror films I’ve ever seen. It’s also a fake documentary, but it’s presented in a completely different style and tone than Behind The Mask. It’s also a film that’s best seen with as little background information as possible, so I’ll stop with this: make sure to sit through the credits.

Curse of Chucky & Cult of Chucky

Curse of Chucky
After the original three movies, fans of the Child’s Play franchise were forced to endure two of the most awful sequels ever regurgitated by Hollywood (I still can’t forget about Seed of Chucky despite years of trying to block it out). Luckily, Curse of Chucky managed to bring the series back around, and Cult of Chucky was an equally fun follow-up. The soft reboot and its successor balance fear, camp, and self-awareness almost as well as the original, and are a VERY welcome return to form for the murderous Good Guy doll.

The Void

The VoidLike In The Mouth of Madness, The Void is one of the most memorable Lovecraft-inspired horror films I’ve seen. Unfortunately, the latter is even less appreciated than the former because it wasn’t helmed by one of the all-time greats. That really is a shame, because the directing duo of Steven Kotansnki and Jeremy Gillespie delivered something genuinely frightening and unique that keeps you on edge until the very end. The practical effects are horrifying and grotesque, the cast is entirely solid, and the overall feature is quite a bit more than the sum of its parts.

The Final Girls

The Final Girls
This wonderfully self-aware horror comedy revolves around a group of teens that get sucked into a campy, Friday The 13th-like horror film, and oh man does it make the most out of that awesome setup. The Final Girls doesn’t have a whole lot of scares, but it makes up for that by jumping back and forth between hitting your funny bone and tugging your heartstrings with brilliant dialogue – I laughed out loud at almost every line from Adam DeVine on my first viewing – and a hilarious cast. Although it’s unlikely to happen, my fingers are still crossed for a sequel.


The titular sickness might be deduced fairly quickly by horror veterans – or anyone with the most basic knowledge of fictional monsters – but watching the strain on the friendship between the two protagonists as one of them slowly changes into… Something else is still a tragic, anxiety-inducing treat to experience. I was getting pretty/very/extremely tired of found footage films when I learned of Affliction – while googling something along the lines of “lesser-known horror films” – and it rekindled my love for the sub-genre.


AnnihilationAlex Garland started strong with his masterful directorial film debut Ex Machina, and recently dropped the entrancing techno thriller series, Devs. While both of those picked up fans, his second writer/director outing, Annihilation was a box-office bomb despite receiving heaps of critical praise. It has an enigmatic story that’s backed by stunning visuals, an ensemble cast, and a phenomenal soundtrack. It’s also unbelievably scary when it wants to be. There’s even one scene that easily ranks among the scariest movie moments of the past decade, and I guarantee that anyone who’s already seen Annihilation knows exactly which one I’m talking about.

The Host

The Host.pngThis creepy and quirky South Korean film about a family fighting to save its youngest member from a bizarre beast mixes scares with laughs and family drama into something unlike anything else in horror today. The humorous and emotional beats are as effective as the fear-inducing moments thanks to the terrific cast, and the feature’s creature is one of the coolest movie monsters I’ve seen in recent years.

Wes Craven’s New Nightmare

Wes Cravens New NightmareNew Nightmare is the most inventive Krueger flick since the original, and I think it’s even scarier. Actress Heather Langenkamp, who played the series’ premiere heroine, portrays herself as she’s stalked by a new, darker Freddy in the “real” world. This mega meta version of the dream demon trades in the campy charm and most of the one-liners that made him less intimidating over the previous few films for a trench coat and refreshingly sinister demeanor, one that makes him more terrifying than ever before or since.


HushHome invasion flicks are inherently frightening, but Mike Flanagan’s Hush is scarier than most. It doesn’t reinvent the sub-genre, but it sets itself apart from the others by following a protagonist (Kate Siegel) who is mute and deaf, which allows for some seriously next level “LOOK BEHIND YOU” moments. That might initially seem like a simple one-trick pony, but I assure you that this movie and it’s heroine are more than clever enough to keep you on your toes through its runtime.

A Dark Song

maxresdefaultThis is another one of those films you should go into like Jon Snow (knowing nothing). With that in mind, all I’ll mention in regards to a A Dark Song is that it’s about a grieving mother who seeks supernatural aid, and the movie aims to keep you constantly confused and uncomfortable. It slowly and carefully builds up to a finale that is equal parts poignant and harrowing.

The Babysitter

The BabysitterNetflix’s 2017 horror comedy isn’t particularly scary, but it knows exactly what it wants to be, and it should hit all the right notes for those who enjoy the occasional horror film with a little extra cheese. The witty writing, pitch-perfect cast, and total self-awareness make The Babysitter a bizarre, hilarious, and bloody good time. Every person that has watched this movie on my recommendation has been pleased with it, and I wouldn’t be surprised if you are too, dear reader.

1408 & The Mist

1408 & The MistI paired these Stephen King adaptations together because they both received fairly positive reviews and financial success upon their releases (they’re probably the most popular films on this list), but have been mostly forgotten since. Neither of them are quite as great as Misery or 2017’s IT remake, but 1408 and The Mist are still two of the best Stephen King stories brought to the silver screen so far. And it’s worth mentioning that they have two of the most memorable endings in horror history. In fact, 1408 has multiple alternate endings, and they’re all great.

And speaking of Stephen King…

Storm of the Century

Storm of The CenturyOkay, I might be cheating with this one a little bit. It’s a (fairly short) miniseries and not a film, but I just can’t leave Storm of the Century out because it’s so damn good and so damn overlooked. This Stephen King story – which the author wrote as a screenplay and not as a novel – is a chilling tale about a small town in right off the coast of Maine (because Stephen King) that’s visited by an mysterious, murderous drifter – played to spine-tingling perfection by Colm Feore – during the titular tempest. And just like 1408 and The Mist, Storm of the Century’s ending will stick with you long after it’s over.

Alien vs. Predator

AvPIn my humble opinion, Alien vs. Predator is an underappreciated monster mash-up. It certainly doesn’t improve upon either of the franchises it spawned from, but it never needed to. For me, it only needed to deliver on the promise of its title; an entertaining spectacle of Xenomorphs and Yautja going head to head that gives both of the iconic extraterrestrials time to shine. And you know what? AvP does that pretty damn well. The action is bombastic, the Xenos are scary, the Predators are awesome, there’s plenty of tension throughout, and the last twenty-five or so minutes are super fun.

Green Room

Green Room.jpgA24 has given us some of the greatest horror films in the past few years, and almost none of them have received the widespread recognition they deserve. For example: Green Room is one of the studio’s best, but I only know one other person aside from me who saw it in theaters. The story centers around the members of a punk rock band who witness a heinous crime at a neo-Nazi rally, and are forced to defend themselves. Leading the band is the late Anton Yelchin in one of his final roles, and the skinheads’ boss is played by Patrick Stewart, who gives a performance that might change the way you look at Captain Picard and Professor X for quite some time.


krampus 2.jpgBefore working on Godzilla: King of The Monsters, Michael Dougherty wrote and directed this hilarious and heart-stopping holiday-themed horror comedy packed a strong cast of both comedic and dramatic actors. Adam Scott and Toni Collette, a literal sack-full of memorable monsters, and a better balance of laughs and scares than any other horror comedy I’ve seen (sorry, Shaun of the Dead), make Krampus a horror flick for the that’s all too easy to recommend during the most wonderful time of the year.

Trick ‘r Treat

Trick r TreatTrick ‘r Treat is hands down the best horror anthology film I’ve seen, and I’ve watched so many others because of it. Unfortunately, very few have come anywhere close to matching the overall greatness of this direct-to-DVD treasure. With four main stories featuring a mix of supernatural suspense, horrific monsters, and plain old evil people, Trick ‘r Treat has something for everyone. And now that he’s finished with Godzilla: King of The Monsters, maybe director Michael Dougherty will finally give his fans the sequel we’ve been waiting for since 2009.

The Blackcoat’s Daughter

The Blackcoat's DaughterAnother of A24’s most underseen movies (I’m the only person I know who has seen it as of 2019) is this terrifying gem. The premise – two teenage girls find themselves alone and in danger at their Catholic boarding school – is nothing too original, but there are more than a few twists that were able to catch me completely off guard. Elevating The Blackcoat’s Daughter even further is an extremely sinister atmosphere that creeps into almost every scene, fantastic performances from its leading ladies, and an absolute gut-punch of an ending that left me with my jaw on the floor.

Bone Tomahawk

Bone Tomahawk.jpgBone Tomahawk is a brilliant, bloody, and brutal mash-up of the horror and western genres. Stars Kurt Russell and Patrick Wilson may be known for playing tough-guy characters, but that doesn’t make their encounters with a horrifyingly vicious and dangerous clan of Native Americans any less intense. Bone Tomahawk is probably too violent for some, but it’s still far, far less disgusting/sadistic than anything that the dozens of Saw-inspired gore-fests have subjected their unlucky audiences to, so I urge you to sit through it if you can.

The House of the Devil

The House of The DevilLike A Dark Song and Lake Mungo, the less you know about the babysitting nightmare of The House of the Devil before seeing it, the better. I will warn you though: It starts slow, taking its time, waiting for the perfect moment, which it finds and then grips you with pure, relentless terror until the credits roll.

The Exorcism of Emily Rose

The Exorcism of Emily Rose
Almost all possession and exorcism movies are overlooked because of the high bar set by The Exorcist, but I’d argue that The Exorcism of Emily Rose is just as great. It pushes the “based on true story” tag to its the absolute limit, but that doesn’t make the film any less frightening. The Exorcism of Emily Rose made my blood run cold the first time I saw it, and it’s one of the only three or four horror flicks I’ve seen that robbed me of a restful night’s sleep… So maybe watch it during the day.

The Witch

The Witch.jpgThe best A24 movie on this list is The Witch, my favorite horror film ever, and what all slow burn horrors should aspire to be. The Witch has a similar atmosphere to The Blackcoat’s Daughter and A Dark Song, but it’s far more powerful. Virtually every moment is laced with menace, dread, paranoia, or worse. Even in its slower scenes I was practically squirming in my chair with overwhelming unease from almost every single sight and sound, all masterfully presented with the intention to never let the audience get any semblance of comfort. Eventually, The Witch uses all that tension and build-up to unleash Hell and leaves its viewers with an utterly haunting, unforgettable finale.

The Strangers

The Strangers.jpgI will champion The Strangers every chance I get until it’s widely regarded as the masterpiece of horror cinema that it is. No other film before or since has created the same level of total, pure terror I felt while watching this home invasion flick. I was even terrified to be in my own home after seeing it for the first time, and I rarely rewatch it because of how uneasy it still makes me. The Strangers is incredibly, insanely, unbelievably underrated. In fact, it’s probably the most underrated horror movie I’ve know of.

Liked what you read? Then check out Middle of The Row’s Top 5 Horror Movies, bookmark my author page, and follow me on Twitter and/or Letterboxd. Until next time, remember: the best seats are in the Middle of the Row!

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