Film Review: Thor: The Dark World

Thor: The Dark World is a fun sequel, but the flow never feels right and doesn’t take the series forward.

2013: A Great Year For Women In Film

With only a couple of months left on the 2013 film calendar it has become increasingly clear that this has been a great year for women in film. Sure, it would be great if we had more big budget fare starring women, but the opportunities in smaller films are becoming more plentiful and taken full advantage of.

Dissecting Ender’s Game

Depending on your point of view, Ender’s Game might be a solid, yet disappointing, adaptation or possibly the best blockbuster of the year.

Film Review: The Counselor

The Counselor is the latest from Ridley Scott with an original script from Cormac McCarthy and the results are often terrible.

Film Review: 12 Years a Slave

Steve McQueen’s 12 Years a Slave is an astonishing film that will leave you in awe of both its craft and storytelling.

Film Review: Captain Phillips

Captain Phillips hits a number of thrilling highs, but Tom Hanks’ great performance can’t keep the film moving forward when the story gets repetitive.

Looking Ahead To 2013: Quarter 4 (October – December)

With the end of the year heading this way, there’s only so much time to cram in all forms of entertainment from this year before it’s too late (if you’re writing an end of post, that is). With that said, there are still plenty of new releases heading this way competing for your attention.

Dissecting Gravity: Space Race For Your Life

It’s been years of waiting for some of us to lay eyes on Alfonso Cuarón’s Gravity and the end result is an experience you often haven’t had in a theater before.

Film Review: Don Jon

Don Jon flips the gender roles in the romantic comedy as Joseph Gordon-Levitt writes, directs and acts his way to one of the best comedies of the year.

Dissecting Rush: Biopicing at 200 MPH

Ron Howard returns to form with Rush, a solid dueling biopic that captures the intensity of F1 Racing even if it isn’t coherent and gets a great performance out of Daniel Brühl.

Middle of the Row

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