Dissecting RoboCop (2014) – A Worthy Reboot?

RoboCop returns to the big screen with a reboot that does its own thing, does it well, but that doesn’t mean there isn’t room for improvement.

Dissecting The Monuments Men

Lauren: World War II has always been a strong source of inspiration for the movie industry, so it’s almost surprising that The Monuments Men is able to bring a new side of this war to light. It’s definitely an interesting aspect of this war, I just don’t know if this movie is what it needed.

Dissecting Inside Llewyn Davis: Llewyn Is the Cat

Grant and Zac take a belated look at Inside Llewyn Davis, the latest from the Coen brothers, which hasn’t settled with audiences the way many of their other classics have.

Film Review: Labor Day

With Labor Day, Jason Reitman has created a film that fails so hard, at almost every turn, it leaves you doubting his abilities going forward; no matter your opinion before hand.

Looking Ahead to 2014: First Quarter (January – March)

Now that you’ve had enough time to let our choices for what we enjoyed last year, it’s time to shift our focus towards what’s to come in 2014.

Internet Film Critics Society Announces 2013 Awards

Every year I contribute to the IFCS’ annual awards discussion and this year’s results are probably the most I have ever been able to support. I don’t think any of my picks line up one to one, but most categories I had the winners some where in the vicinity of my list toppers.

Film Review: Her

Spike Jonze’s Her is a wonderful sci-fi romance that features a compelling look at our future while dissecting the possible complexities that would arise in relationships as AI becomes a reality.

HST… Best Movies of 2013

Day two of HST’s Best Of lists brings us to Movies. Be sure to come back tomorrow for Music!

Film Review: The Wolf of Wall Street

The Wolf of Wall Street is DiCaprio as good as he’s ever been and Scorsese takes it up a notch to a level we rarely get from him.

Dissecting American Hustle

American Hustle has a lot of great things going for it, but David O. Russell’s hesitance to just do his own thing keeps the film from reaching its utmost potential.